selected sources and inspirations:

A Cyborg Manifesto (Donna Haraway, 1985)

Intersectional Pedagogy (edited by Kim Case, 2017)

The Listening Book: Discovering Your Own Music (W.A. Mathieu, 1991)

Decolonizing Nature - (T.J. Demos, 2016)

Hyperobjects: Philosophy and Ecology After the End of the World  (Timothy Morton, 2013)

Listening, Thinking, Being: Toward an Ethics of Attunement (Lisbeth Lipari, 2014)

Magical Consciousness: An Anthropological and Neurobiological Approach (Susan Greenwood, Erik D. Goodwyn, 2015)

Society Must Be Defended: Lectures at the College de France (Michel Foucault, 1997)

Time and the Warm Body (David Burrows, 2007)

Digital Performance (Steve Dixon, 2007)

Mycelium Running (Paul Stamets, 2005)

Acoustic Interculturalism: Listening to Performance (Marcus Cheng Chye Tan, 2012)

Space, Politics, and Aesthetics (Mustafa Dikec, 2015)

The Poetics of Space (Gaston Bachelard, 1964)

Polysecure (Jessica Fern, 2021)

Biology of Art (Richard Richards, 2019)

Zen Mind, Beginners Mind (Shunryu Suzuki, 1970)

Emobodied Rhythm in Space and Time (Lena Hopsch and Eva Lilja, 2017)

Harmonic Experience (W.A. Mathieu, 1997)

Rhythm as Coping (Alexander Freer, 2015)

Music After Deleuze (Edward Campbell, 2013)

Hearing Chaos (Judy Lochhead, 2001)

Music in Human Life: Anthropological Perspectives on Music  (John E. Kaemer)

Schizorevolutions vs. Microfascisms: The fear of anarchy is state securitizations (Athina Karatzogianni & Andrew Robinson)

Chaos: Making a New Science (James Gleick)

Improvisation and Ethical Responsibility

Gaian Democracies (Roy Madron & John Jopling, 2003)

Legislating Creativity: Intersections of Art & Politics  (Dustin Kidd, 2010)

Political Aesthetics (Crispin Sartwell, 2010)

Tender Buttons (Gertrude Stein, 1914)

Mycelium as a Metaphor for the Meaning Space in Music (Thomas Hewitt, 2013)

The Structure of Scientific Revolutions (Thomas Kuhn, 1962)

Zen and the Art of Mixing (Mixerman, 2010)

In Search of a Concrete Music (Pierre Schaeffer, 1952)

Formalized Music (Iannis Xenakis,  1972)

Deep Refrains: Music, Philosophy, and the Ineffable (Michael Gallope, 2017)

The Soundscape (R. Murray Schafer, 1977)

Wittgenstein on Rules and Private Language (Saul A. Kripke, 1982)

Haunted Weather: Music, Silence, and Memory (David Toop, 2004)

Notations 21 (Theresa Sauer, 2009)

Microsound (Curtis Roads, 2001)

Sound and Symbol: Music and the External World (Victor Zuckerkandl, 1969)

Beethoven’s Anvil: Music in Mind and Culture (William Benzon, 2001)

One, Two, Three... Infinity: Facts and Speculations of Science (George Gamow, 1947)